JSS painting and my two copies

 


Comments

Post a Comment

Popular posts from this blog

Gallhof

Image
Wilhelm Gallhof (1878 – 1918, German), The Coral Chain His motifs fit into the zeitgeist of the new beginnings before the First World War and anticipated the lifestyle of the Roaring Twenties . Gallhof fell as a soldier at the end of the First World War at the age of about 40. Lying Nude Nude Standing Nude Nude before a Mirror, 1910   The Temptation Of The Knight, 1910   Halbakt (Semi-nude) Female Nude Standing and Turned to the Left
Read more

Potiphar

Image
  Potiphar’s Wife, Domenico Morelli (1823-1901) Potiphar, also known by the title of Al-Aziz in Islam, is a figure in the Hebrew Bible and the Quran.  Potiphar is the captain of Pharaoh's guard who is said to have purchased Joseph as a slave and, impressed by his intelligence, makes him the master of his household. Unfortunately, Potiphar's wife, who was known for her infidelities, took a liking to Joseph, and attempted to seduce him. When Joseph refused her advances, and ran off, leaving his outer vestment in her hands, she retaliated by falsely accusing him of trying to rape her, and Potiphar had Joseph imprisoned.  The false accusation by Potiphar's wife plays an important role in Joseph's narrative, because had he not been imprisoned, he would not have met the fellow prisoner who introduced him to Pharaoh. The medieval Sefer HaYashar, a commentary on the Torah, gives Potiphar's wife's name as Zuleikha, as do many Islamic traditions - thus the Persian poem ca...
Read more

John Singer Sargent's, three Venice street scenes

Image
  'A Street Scene in Venice', 1882 oil on wood, John Singer Sargent (1856-1925) (Model: Gigia Viani) Painted in a post-impressionist manner, it is set in a quiet backstreet off the Calle Larga dei Proverbi, near the Grand Canal in Venice. The painting shows a young woman walking along the flagstones, kicking her skirt with her right foot, and observed by two men in the shadows to her right. From the manner in which Sargent depicts her down-turned eyes and seemingly fast pace with which she passes the two men, he is concerned largely with the invasive male glare and its effect on the passing woman. The woman is observed by two intimidating, darkly coloured men huddled in conversation to the right of the frame. In the middle background a couple are seated outside of a cafe or bar, also deep in conversation. The couple are interested only in themselves, in contrast to the two men. Their gaze follows the girl, while her downcast eyes deliberately avoid their attention. Her shawl an...
Read more