Edouard Kasparides (1858-1926) Austrian) The penitent Mary Magdalene in the cave, 1890 Oil on canvas, s igned and dated lower right: Ed. Kasparides The Harem Bath, Jean-Léon Gérôme (1824-1904), The Harem Bath, “Harem’de Yıkananlar” ( Les Baigneuses du Harem ),1901, Dickinson Gallery Collection When Jean-Léon Gérôme visited Egypt for the first time, he was amazed by what he saw and when we look at it now, he began to paint his breathtaking Orientalist paintings. Gérôme's works covered a number of themes such as history, Greek mythology, and portraiture. Most of these included magnificent nude female figures bearing his signature. These figures, whose bodies are as bright as the marbles detailed in his paintings, are included in the scenes he depicts in a theatrical way. Gérôme became one of the most valuable painters of the time due to this success he exhibited in his paintings. Some of his paintings were so successful that they became symbols of the Orientalist era....
Wilhelm Gallhof (1878 – 1918, German), The Coral Chain His motifs fit into the zeitgeist of the new beginnings before the First World War and anticipated the lifestyle of the Roaring Twenties . Gallhof fell as a soldier at the end of the First World War at the age of about 40. Lying Nude Nude Standing Nude Nude before a Mirror, 1910 The Temptation Of The Knight, 1910 Halbakt (Semi-nude) Female Nude Standing and Turned to the Left
'A Street Scene in Venice', 1882 oil on wood, John Singer Sargent (1856-1925) (Model: Gigia Viani) Painted in a post-impressionist manner, it is set in a quiet backstreet off the Calle Larga dei Proverbi, near the Grand Canal in Venice. The painting shows a young woman walking along the flagstones, kicking her skirt with her right foot, and observed by two men in the shadows to her right. From the manner in which Sargent depicts her down-turned eyes and seemingly fast pace with which she passes the two men, he is concerned largely with the invasive male glare and its effect on the passing woman. The woman is observed by two intimidating, darkly coloured men huddled in conversation to the right of the frame. In the middle background a couple are seated outside of a cafe or bar, also deep in conversation. The couple are interested only in themselves, in contrast to the two men. Their gaze follows the girl, while her downcast eyes deliberately avoid their attention. Her shawl an...
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